The first will take place between March 24–27 and will be “dedicated to artists who have broken new grounds aesthetically, conceptually, or socio-politically,” according to a press release. The second and third will be held in June and November respectively, with major themes yet to be determined.
“Nobody in their right mind considers an OVR with 100 galleries to be a substitute for an art fair,” says Spiegler. “We think that under a specific set of conditions, and handled in the right way, these digital events do bring attention to galleries and artists.”
Looking Ahead
The news of the postponement strikes a blow to other art fairs, who are, as yet, going ahead with plans for in-person fairs this spring and summer.
Frieze plans to hold its annual New York fair in The Shed between May 5 and May 9, and has already pushed its Los Angeles fair from February to July. TEFAF, a showcase for old masters and decorative arts, has scheduled the European branch of its fair for May 29 in Maastricht.
Art Basel Hong Kong plans to open its doors in the Hong Kong Convention and Exhibition Centre on May 19.
In light of the same factors that postponed the Swiss edition entirely, Spiegler’s ambitions for the Asian edition of his fair are limited.
“We’ve already informed visitors that we expect strong travel restrictions, but it’s not clear what the state of play will be there,” he says. “We’re hoping for a regional fair, but keep in mind that there are many international galleries that have gallery spaces and staff in Hong Kong.”
“Our commitment to Art Basel is absolute,” Payot says, “and we look forward to being there with flying colors when the next edition opens.”
This article was provided by Bloomberg News.